A young couple get married with high ideals and hidden pasts. An intimate exploration of traumas and how to negotiate shame, anger and love.
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Synopsis
Kenny and Kerry marry with secrets that almost blow their marriage apart. After their new baby is born, Kenny’s PTSD is triggered by his crying. Kenny no longer knows what is real, calls it ‘the screams’. It seems the marriage is over. But Kerry decides to go back to school, to study how the brain works, and discovers that suffering isn’t a given – you can do something about it. We follow their recovery over ten years, through psychiatric medication, talking therapy, horses, race-cars and ice swimming as they emerge with new insights and resilience for their life ahead.






DIRECTOR’S STATEMENT
Both Kenny and Kerry come from the old coal mining towns that make up the bulk of Scotland’s industrial regions. They both know about the impact of poverty, the need to get away, the attraction of finding any escape route from the cycles of drugs, unemployment, violence and prison that ruled their childhoods. By sixteen Kenny had joined the army and Kerry had taken a £5 bus to the other end of Britain. They both wanted escape; a world with options. When I met them they were going through profound change. It often felt out of control. The narrative arc of the film shows them searching for tools to help them escape mental pain.
I have been privileged to know them both for the last six years. They have allowed me to join their home life, their wild swimming and trail riding adventures, and especially their ‘talking cure’ sessions, whether IEMT, gestalt, or NLP. Therapy was a concept ridiculed in the environment they come from. But for Kenny and Kerry it has been life changing. They have learnt to ‘get the brain working for you, not against you’. They have taken control of their pain. They are able to leave behind their traumas, and the resulting damaging behaviours. Their individual autonomy deepens as they re-create themselves, turning away from anger and shame, delusions and fear, until they finally train to become coaches themselves.
PRODUCER’S STATEMENT
Love & Trouble evolved like all good stories and people. Amy Hardie is a courageous filmmaker who digs into difficult subjects with determination. Staying the course over many years of production is difficult too. As is fundraising for observational filmmaking. Kenny and Kerry are so relatable. They encourage us to look at our own life and where we could take a step forward. They model a modern marriage which fosters open communication and self empathy. We have a lot to learn from them. As Roseanne Reid sings in the film: we need “a different kind of brave.” This film embraces new kind of heroes. Not action heroes with military medals, but those who look steadfast into past experiences and trauma to create a kinder world for themselves and others.
WRITTEN AND DIRECTED BY
Amy Hardie
PRODUCED BY
Sonja Henrici, Amy Hardie
CO-PRODUCER
Arne Birkenstock
EXECUTIVE PRODUCERS
Lori Cheatle, Mark Thomas, Sandra Whipham, Lisa Marie Russo
EDITORS
Kieran Gosney, Katja Dringenberg
DIRECTORS OF PHOTOGRAPHY
Troy Edige, Amy Hardie
SOUND DESIGNER
Heather Andrews
RE-RECORDING MIXER
John Cobban
MUSIC COMPOSED BY
Jeff Baxter
MUSIC PRODUCED BY
Mark Orton
ORIGINAL SONGS
Roseanne Reid
PRODUCTION COMPANIES
Sonja Henrici Creates, Amy Hardie Productions, Fruitmarket GmbH
FINANCING
BFI DOC Society, Screen Scotland, SWR/ARTE, Hartley Foundation, University of Edinburgh, Moray Fund